Alessandra Di Ronza

Is an Italian photographer whose practice explores the complex relationship between nature, the human condition, and emotional experience. Her work is situated within the field of contemporary photography and visual artistic research, investigating themes such as environmental fragility, contamination, memory, resilience, eco-anxiety, and the climate crisis through a poetic and conceptual visual language.

Through constructed photography, self-portraiture, and contemporary landscape, she develops visual narratives that reflect upon invisibility, silence, human traces, and the vulnerability of the body within natural and domestic environments. Her projects address issues related to microplastic pollution, environmental sustainability, and the emotional impact of ecological crisis, revealing how landscape shapes not only physical space, but also the inner perception of the individual.

Her minimal and contemplative aesthetic invites the viewer to slow their gaze and observe the fragile balance between beauty, dissolution, and resistance. In her work, nature is never merely a backdrop, but an active, resilient, and unstable presence, deeply intertwined with human experience. She has exhibited across Europe and internationally, including Brazil and China, and has been included in group exhibitions, curatorial projects, and editorial publications between Milan, Turin, and London. Her research continues to engage with contemporary art, ecology, memory, and visual culture.

 

Alessandra began her photographic journey by graduating from the “Giovanni Sello” Art High School in Udine in 2011. She later earned her Bachelor’s degree in Photography at LABA Florence (2018) and completed a Master of Arts in Fine Art Photography at the University of Westminster in London (2022).

In addition to her artistic practice, Alessandra is dedicated to the study of photographic conservation and the ways in which images preserve memory over time. Her work is rooted in the dialogue between art and ecology, exploring how environmental changes affect not only landscapes but also our emotional world.

Exhibitions and Publications    

  • “Eutierria” and “Eco-Paralysis”  at XVI Florence Biennale – International Exhibition of Contemporary Art and Design, Fortezza da Basso, Florence, Italy (2027)
  • “Eutierria” at “Silence” exhibition, M.A.D.S Gallery, Milan, Italy (2026)
  • “Eco-Paralysis” at “Roots in light” exhibition, M.A.D.S Gallery, Milan, Italy (2026)
  • “Eutierria” at “Mother Univers” exhibition, M.A.D.S Gallery, Milan, Italy (2026)
  • “Eco-Paralysis” at “Parallel Worlds” exhibition, M.A.D.S Gallery, Milan, Italy (2026)
  • “Eutierria” for International woman’s day on-line exhibition, New Road 2art (2026)
  • “Eutierria” at “Nude and Nature” exhibition, Con/Temporary Space, Torino (2026)
  • “Eco-Paralysis” at Billboard Residency opportunity at Waterloo Road, London, UK (2025)
  • Artist profile published in “Anthology the last decade 2015-2025”, M.A.D.S Gallery (2025) 
  • “Eco-Paralysis” at Nolia’s gallery, Creativehub 301, London, UK (2025)
  • “Grava” at “ Sparking”on-line exhibition, Tapiial Virtual (2023)
  • “The Sublime in a man-altered landscape” at “Enigma of life” on-line exhibition, ArtDoc Photography Magazine (2023)
  • “Human Traces” at “In Natura” exhibition, Artly Mix Gallery, São Paulo, Brazil (2023)
  • “Unpleasant Plastic”  and Biography published at Aesthetica Magazine Issue 112 (2023)
  • “Unpleasant Plastic” published at Source, graduated photography online (2022)
  • “Unpleasant Plastic” at “Look Again” exhibition, Ambika P3, London, UK (2022)
  • “Human Traces” at Pingyao International Photography Festival, Pingyao, Shanxi, China  (2022)
  • “Human Traces” at “The Art of Self- Regulation” on-line exhibition, Holy Art Gallery, London, UK (2021)
  • “The Sublime in a man-altered landscape” at “Aldilà” exhibition, M.A.D.S Gallery, Milan, Italy (2021)
  • “The Sublime in a man-altered landscape” at “Aldilà” exhibition, M.A.D.S Gallery,Fuerteventura, Spain (2021)
  • “Human traces” at  Work in Progress Show, University Westminster, London, UK (2021) 
  • “Il Sublime in un paesaggio contaminato dall’uomo”, published by Valter Iannetti in “Paesaggi invisibili fotografati in infrarossi”, Black Camera, Rolling Stones Italia (2020).